The second part examines the emotional and lived experiences of passengers waiting at bus stops. It includes a theoretical exploration of Marc Augé’s concept of the “non-place,” references to Christopher Herwig’s photographic project Soviet Bus Stops, observations of passenger behaviour, and representations of bus stops in cinema.
The aim of the project was to investigate an everyday object that often goes unnoticed, approaching it from multiple perspectives and angles. By doing so, the project seeks to give identity to the transient, anonymous “non-place” of public transport and the experiences connected to it.